The aim of this essay is to observe how the pre-Christian mythology of Scandinavia, commonly known as Norse mythology, is depicted during the first season of the History Channel TV-series Vikings from 2013, and to analyze how well those depictions correspond with modern day knowledge of that mythology. More specifically this essay studies how the pre-Christian gods, myths and rituals are depicted. To accomplish this the essay uses a modified version of a method called structured observation, a method otherwise associated with observing people. Roland Barthes theory of a primary- and secondary meaning of language is used as the theoretical framework for this essay. 

The results show that many Christian themes can be detected in Vikings. For example, in the depictions of the god Odin who sometimes becomes a symbol for the Christian God. This is shown by depicting Odin being able to have decided people’s destinies, he is not tied to a specific task, and is prayed to in a manner that looks like a Christian prayer. Modern norms of equality between genders, a linear perception of time, and a distaste for human sacrifice can be detected in the Series’ depictions of Valhalla, Ragnarök and rituals of sacrifice. The myths depicted in Vikings can be divided into three categories: how humans understand the world, what happens after you die in battle and what will happen during the end of the world. The rituals depicted all happen during one of two ceremonies: funerals and sacrifice.